Guest Writer

A DJ-minded look at Only Bee’s self-titled debut: patient grooves, vocal intimacy, and a narrative arc that treats dance music as emotional language.

Another Couple’s debut single In A New Life is built on a one-take Moog bassline and a guitar take from a New Year’s Eve, a track that sat untouched for four years before becoming the start of something new.

A no-samples reinterpretation of Ja Rule’s ‘New York’ built for the sunset slot, where the rhythm turns emotional before it turns hard.

On ‘Antífrase’, the closing track of Philipp de Castro’s Morfema, the kick drum lands with a submerged weight that never quite breaks the surface.

A scene-setting club moment: Arnault Hardy’s Nowhere People fills the room with weightless, wobbly textures and cinematic drift.

Double Deuce’s ‘I’ve Been Down’ pairs heavy bass and hypnotic drums with a 70s-inspired vocal disco energy, creating a neon-soaked floor weapon.

Videopath and Westcoast Goddess share a dreamlike, eclectic record built for DJs who value atmosphere and restraint.

Adriano Rossi’s Aliens And Cowboys is a quietly confident slice of off-kilter electro that prefers a crooked groove to a spotlight moment.