Guest Writer

A melodic psytrance cut from EllisN, built for open-air daytime sets and carried by a restless lead.

Jordan Agro’s ‘What You Want’ is a direct club tool with a clean, uncluttered mix and a bright, forward energy that avoids dark or heavy textures.

A DJ-minded look at Only Bee’s self-titled debut: patient grooves, vocal intimacy, and a narrative arc that treats dance music as emotional language.

Another Couple’s debut single In A New Life is built on a one-take Moog bassline and a guitar take from a New Year’s Eve, a track that sat untouched for four years before becoming the start of something new.

A no-samples reinterpretation of Ja Rule’s ‘New York’ built for the sunset slot, where the rhythm turns emotional before it turns hard.

On ‘Antífrase’, the closing track of Philipp de Castro’s Morfema, the kick drum lands with a submerged weight that never quite breaks the surface.

A scene-setting club moment: Arnault Hardy’s Nowhere People fills the room with weightless, wobbly textures and cinematic drift.

Double Deuce’s ‘I’ve Been Down’ pairs heavy bass and hypnotic drums with a 70s-inspired vocal disco energy, creating a neon-soaked floor weapon.